LE THI MAY’S ARTISTIC WORLD FROM THE PERSPECTIVE OF THE LYRICAL SELF ICON

Abstract

In poetry, the subject matter and the lyrical self is of special significance. The position of the lyrical self, its limits, the connection between the object - the subject always poses in poetry problems to be solved. In essence, every lyrical character in poetry is just a manifold manifestation of the lyrical self. In modern poetry, the lyrical self is characterized by its own properties. In Le Thi May’s poetry, the unique style of a female poet, private lyricalness emerges into embarrassment, hope and credulousness in love and happiness within a woman who suffers from so many disadvantages and losses during and after the war. It is also the private lyricalness of Le Thi May's poetry that has helped to shape its own appearance, thereby opening new perspectives and breakthroughs from the form to the content of the Vietnamese literature from the last decade of the 20th century to date.